Rights and Passage
It seems like it must be a passage of adulthood, a rite that no one wants to pass but everyone eventually does, that one of authors becoming people, people flawed and awful. For some of us, that rite of passage is picking up beloved books of childhood comfort and realizing just how horribly racist they are, and that no amount of the warmth from Polgara’s kitchen can change the fundamental bedrock of racism that forms the faults and seams of the stories.
For others, the stories remain beloved comforts, heavy and warm and rich with the scent of a fresh bound book slowly worn by the repeated readings, the track of the digital scrolling past on a thin electronic tether to the most wonderful libraries. For those people, the rite of passage is different, worse and better, because what changes isn’t the story but the author, who reveals that they weren’t the person who wrote the beauty that comforted, consoled, and inspired you. But in some ways, you’re lucky. The text? It no longer belongs to the author; it’s your love that sustains it, that breathes life into it, that forms the bonds between people with that shared passion and love. You can take it and make it what you want and will; you never have to give the author another cent, never have to support them, never have to acknowledge them, and you can still have the beautiful, inspirational people living within the boundaries of that book binding, digital or otherwise.
You might have to let them go; it might be the only way you can handle the taint of the author, to turn away forever. But it’s a choice. You can keep the characters, and get rid of the author. They began living beyond the author when you began reading, when your mind gave them form. They are embodied by your imagination, your passion, your love.
It’s not just gods that are made real by your belief in them.
